5 SIMPLE TECHNIQUES FOR CHARLIE CHAPLIN'S "THE CIRCUS" (1928)

They tend to be yearning romantics, with this big difference: Buster would seem a plausible mate, and also the Tramp rarely seems to possess a libido, only idealized notions. If their comedies had been created in a more liberated time, it is feasible to imagine Keaton in bed with a woman, but disquieting to think of the Tramp as a sexual becoming.W